Play a chord, lift your hands, and listen to what's left hanging in the air. That's where Tiny Ghost lives — and it's the kind of place you'll want to stay. A true studio core under the hood, eight knobs on top, one rule: the top row builds the space, the bottom row haunts it.
Most reverbs chase quality with more knobs. We chased it with a better core — eight modulated lines, decay that darkens like a real room — then organized the controls like a sentence. Four knobs build the space: SIZE, DECAY, TONE, MIX. Four give it a soul: SHIMMER, DUCK, WIDTH, GRIT. You can dial a world-class reverb with the top row alone. The bottom row is why you'll never want to.
A granular pitch shifter lives inside the reverb's feedback path — two crossfaded grains pushing repeats an octave up. Turn SHIMMER and the tail starts to levitate. The signature texture, done properly.
Eight modulated delay lines with dense Hadamard mixing — the architecture from the research papers, not a spring patch. Smooth echo density from the first reflection to the last breath of the tail.
The dry input rides a fast envelope that pushes the reverb down while you play and lets it bloom back in the gaps. Vocals stay up front, the tail fills the silence. Wash without mud.
Frequency-dependent decay means the highs die first — exactly like a real space. Long settings stay musical instead of turning into a metallic hiss.
Mid/side width control from dead mono to 150% — wider than your speakers, still mono-safe at noon. Pull the verb inside the mix or wrap it around the listener's head.
Saturation on the wet path that drives and progressively darkens the tail as you push it. Low settings glue; high settings turn the shimmer into something off a worn tape. Pristine is a choice, not a limitation.
Tiny Ghost is $49.99, one time, yours forever. Or take the whole Ghost Audio catalog for $149.99 ($99.99 while we're in launch). No subscriptions, no fake sales.
AU + VST3 — drop it in and go. If your DAW loads plugins, it loads this one.
